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I always thought that I was someone who immersed themselves in nature. The entire ethos of my work is inspired by the natural world; it’s the seeds that allow my paintings to grow. However, my life-changing trip this summer exploring IPA sites across the UK has opened my eyes. It’s shown me what truly settling into stillness and absorbing the magic of nature really is.

As part of my Artist Residency for Plantlife – and supported by Arts Council England’s Developing your Creative Practice Fund – I set off on a wildflower treasure hunt back in May to uncover rare species; many of which are currently living on the edge.

The brilliance of botanical art

I have always been fascinated by the juxtaposition of a wildflower, how its strength can rise through rubble and yet its fragility can break at the lightest of touches. A wildflower experiences birth, growth, transformation and decay, often in a thimble of time. It shows courage, hope, resilience, a contentment that is enviable.

Being amongst wildflowers I feel joy, strength, grief and an easeful glimmer of peace. With every wildflower season, I am able to experience this cycle of emotions. I am my raw, honest self, no hiding, nature welcomes you as you are, inviting you to be part of the purposeful chaos. My art helps me grow down through my layers and expand my roots.

Life on the verge

My journey started at Ranscombe Farm Nature Reserve in Kent. And what a start to the trip! I pulled up in the smallest of car parks where I was met by Ben, the site manager. He was excited to show me the incredibly rare Man Orchid: a handful of this endangered species had decided to make a verge on the side of a busy road their home.

If he hadn’t pointed them out, I would have walked straight past – but the moment you notice them, you cannot look away. Milky lime yellow with stripes of burgundy and tongues like snakes; they were utterly divine.

The juxtaposition of this rare, beautiful flower with the frantic hum of traffic continuously passing by felt like a metaphor for human nature. How much do we miss out on because we’re simply too busy?

Discovering species on the edge

My visit up to Scotland was the biggest part of my trip. The colours here were like a symphony; vibrant pops against a rugged landscape. Shades of storm grey into an icy blue, merging into crystalline greens. Soft lavender and silver ribbons. All these colours merged together against the textures of the flagstone rocks and the wildlife that burst from them.

And you had to work to find the rare species among this incredible palette! At one point, I had to lean right over a cliffside to spot the tiniest deep pink Scottish Primrose; it was so small and fragile – around 5cm tall – that you had to seriously tune your eye in to find it.

But I was so glad I made the effort. The Scottish Primrose can only be found in Orkney and the northern coast of Scotland. If it disappears from these sites, it’s gone forever. Our discovery, therefore, felt enormously poignant.

Top tips for aspiring botanical artists

  • Purchase a hand lens and take it everywhere, discover micro worlds that are everywhere and observe as much as possible.
  • Make notes, voice recordings, anything that helps plant you back in your sweet spot, most of all find comfort in stillness.
  • The more peace in stillness you find, the more nature reveals to you.
  • Talk about what you do with passion, share what you learn, by doing so you will inspire others to protect nature.

Learn more about our reserves

Munsary Nature Reserve’s Road to UNESCO World Heritage Site

Munsary Nature Reserve’s Road to UNESCO World Heritage Site

Learn about why our Munsary Peatlands reserve is being put forward for inscription as the world’s first peatland UNESCO World Heritage Site.

Spring on Plantlife’s Welsh Nature Reserves

Spring on Plantlife’s Welsh Nature Reserves

Spring is an exciting time to be on our nature reserves. This is the season when the meadows really burst into life, with lush growth and seasonal flowers.

Augill Pasture: Ash Tree Dieback and Pony Grazing
A black and white pony standing in a snow sprinkled field.

Augill Pasture: Ash Tree Dieback and Pony Grazing

We hear from Plantlife Nature Reserves Manager, Andrew Kearsey, on how work is progressing to protect the reserve from ash dieback, and grazing using ponies.