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Read in: EnglishCymraeg
In 2022 Lizzie Wilberforce took up the challenge of trying to learn some of Britain’s most common moss and liverwort species, near her home in damp, mossy west Wales.
‘Inspired by Lief Bersweden’s Couch to 10 Mosses on Twitter, I decided to give it a go and independently teach myself some mosses and liverworts out on my walks.
I have always been interested in identifying plants, even as a child. As an adult, I’m now able to identify most common species on my patch, but still with a huge amount still to learn. Bryophytes, known as mosses and liverworts, were even more of a mystery to me.
I’d always appreciated the aesthetics of their soft cloaks of green that envelop damp woodland, and the sheer resilience of the small, tufty species eking out a living in the harsh conditions of our sun-baked stone walls.
Naming them, however, always felt like an art that was out of my reach.
The first step is to spot just 1 or 2 interesting but abundant species when out for a walk, and to then bring home a very small piece of them to ‘key out’ – using an ID guide to identify the species.
Here are some tips which have helped me, for when you’ve spotted your first moss species.
Don’t be intimidated! Mosses and liverworts have a bit of a reputation for being tricky, but it’s great fun when you get into it. Looking a bit closer through a hand lens also reveals whole new levels of intricacy and beauty in these glorious plants.
These 2 publications have been incredibly helpful as ID guides: the British Bryological Society’s ‘Mosses and Liverworts of Britain and Ireland’ has been my go-to book for keying samples out, and of course a hand lens is vital.
I’ve also found that the Species Recovery Trust’s booklet ‘A Field Guide to Bryophytes’ has been helpful for quickly spotting some of the most common species I was likely to encounter based on habitat.
Going wrong and getting stuck has been an inevitable part of being a beginner. I’ve found that the Google Lens mobile phone app – whilst it does a poor job of species identification, can sometimes do enough to point me in a new direction if I’ve gone wrong early in the key.
A guidebook will take you to the right species, but it won’t always tell you which one or two features are the easiest to spot in the field – an expert will help you learn that shortcut much more quickly.
My county recorder, Sam Bosanquet, has been incredibly patient and helpful. Your local county recorder could have access to distribution maps such as Sam’s Carmarthenshire County Flora, which are a good sense check – find your county recorder here.
I’ve also recently joined the British Bryological Society, which gives me access to supportive recording groups and events.
I’ve also had to accept that my learning is seasonal – but one of the great things about mosses and liverworts is that it has provided me with new things to do in the tail ends of the year.
Sometimes it’s felt like one step forward and two steps back, with long names and complex features that I struggle to keep in my brain. However, embracing it as a slow process has meant it’s always stayed fun.
I’m gradually getting better at recognising some of the commoner species in the field, and every now and then, I’m even filling in a gap on the distribution maps – which help protect these species for the future.
Bryophytes desperately need more advocates and recorders. So, if you’ve ever thought about giving it a go, but thought them a bit intimidating- don’t! Set yourself a target of 10 and give it a go. Who knows where it’ll take you next?‘
Thuidium tamariscinum has a name that is a little tricky to commit to memory, but its wonderful complex fern-like structure is very distinctive. It’s abundant in my local woodlands and hedge banks, and is one of the first mosses I learned to recognise in the field.
Plagiochila asplenioides, a large leafy liverwort that was one of the first to catch my attention on local road verges.
Discover the names of temperate rainforest mosses which could be in woodlands near you!
Three Hagges Woodmeadow Site Manager Kara shares what volunteers do, from coppicing to nature surveys, and how you can get involved.
Discover the activities and work that our volunteers in the Cairngorms do with Sam Jones of the Rare Plants and Wild Connections Project.
For getting up close to our tiniest wild plants and fungi, you'll need a hand lens. Learn how to use one and get top tips on buying your own.
Sam Jones
Plantlife’s Cairngorms Project Manager Sam Jones reveals how a tiny flower in Scotland is fighting back against extinction in the UK, and what we’ve learnt about this mysterious wee plant.
I’ve been spending a lot of time reading what little information there is on One-flowered Wintergreen, Moneses uniflora, during site visits, and chatting with other experts. I’ve been trying to figure out what has caused its sharp decline in abundance and distribution globally, and how we can help prevent it here in Scotland.
The uncomfortable answer I’ve come to is that we still don’t really know all that well. Around 10% of the Scottish population is in the Cairngorms, the rest distributed sparsely across the Highlands. In the last 50 years, I estimate that we’ve lost half of our populations, and of those remaining, only a few are stable or improving. We may soon lose all One-flowered Wintergreen in the UK without intervention.
One-flowered Wintergreen is the only member of its genus Moneses, closely related to Pyrola, a group containing the other wintergreens, such as Intermediate Wintergreen (Pyrola media). Sadly, all are rare and in decline.
True wintergreens are partial-mycoheterotrophs, which means that they have an alternative to photosynthesis for acquiring their energy to grow. They can parasitically take sugars and other minerals from fungus in woodland soils.
This ability to uptake energy from the soil as a supplement to their photosynthesis is likely part of why they are so challenging to understand and to propagate in captivity. There have also been suggestions that the presence of specific fungi is necessary for the tiny powder like seeds to germinate.
One-flowered Wintergreen does not seem to have an easily definable niche. It is very rare, only occurring at specific sites, and often isolated to an area a few tens of metres across in a large and apparently suitable woodland.
Recently, we have had some breakthroughs helping us to understand this plant better. Trials of cattle grazing in woodland have yielded rapid recovery in a One-flowered Wintergreen population. Another site was heavily trampled and disturbed in the process of Rhododendron removal, again yielding rapid recovery of Wintergreen. These plants all seem to recover on sites where bare ground, trampled wood, and organic material are present.
On forestry sites, One-flowered Wintergreen appears to grow only along forestry tracks and where the ground has been historically disturbed. A picture is starting to emerge of this species favouring periodic heavy disturbance of woodland soils.
Armed with this information we are providing advice to current land managers. We are also investigating options for a small-scale trial translocation of One-flowered Wintergreen, as much to aid in our learning of the needs of this rare flower, as to aid the genetic resilience of a small and struggling population.
Thousands of years ago, before significant human alteration to the landscape of Britain, perhaps One-flowered Wintergreen existed in a particular niche. It may have relied on the bare ground made by a wild boar digging for roots in the woodland, or the wood pulp made by a beaver chopping a tree, or the trampled ground under the hoof a mighty Auroch.
In the modern world humans create this niche for them more than animals, and sadly, our modern management of pine woods has favoured it less. Through research and collaboration, we will be able to manage woodlands holistically, providing a mosaic of habitat for One-flowered Wintergreen in Scottish pinewoods, as well as other rare native species.
Learn about why our Munsary Peatlands reserve is being put forward for inscription as the world’s first peatland UNESCO World Heritage Site.
Plantlife’s Artist in Residence, shares her summer journey across our reserves and some top tips for aspiring botanical artists.
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